Empathise and engage

If there’s one thing we’ve learned makes better buildings, it’s empathy. Architecture never happens in isolation—and simply by being interested and engaged, we’ve found it’s possible to open up the conversations that connect a scheme to its clients and community.

Weconstraints

We believe that the more constraints there are, the better the architecture. If there aren’t any constraints, we create them. Challenging sites, existing buildings and complex briefs almost always present incredible opportunities for great design.

Passive future

To limit our environmental impact, we start with what is already there. By manipulating the form and fabric of a building—whether new or existing—we can work with the existing conditions of topography, light and orientation, and harness the natural energy sources offered by air, ground and water.

Social detail

If a site’s constraints guide the bigger design decisions, then it’s empathy that informs the smaller, social details. These details frame the human narratives that aren’t included in the brief, anticipating specific moments in the users’ lives.

Mud on our boots

Good architecture is as much about what happens on the building site as it is about what’s on the drawing board. By working alongside contractors as well as clients we can ring-fence the ideas and details that matter, championing quality and sustainability throughout construction.

Sondheim Theatre
WorkStudioActivityNewsContact
Curl la Tourelle Head
Work
  • Sondheim Theatre

  • Grade II Listed

  • Soho, London

Client
  • Delfont Mackintosh Theatres

Formerly known as the Queen’s Theatre, the Grade II Listed Sondheim theatre was built in 1907 by W. G. R. Sprague, forming a pair with its sister Gielgud Theatre. However a German bomb destroyed the façade and lobby areas in September 1940, rebuilt with a modern glass façade in 1959.

As part of a major remodelling project, we have been updating the many parts that enables the theatre to function. The key objective was to enable improved experiences for modern theatregoers, from enhanced navigation and circulation to optimised bar and toilet areas, reducing queues and reinvigorating the Soho Theatre brand.

The 1950s foyer is updated, with traditional touches that harmonise this retrofitted lobby with the original theatre. Our designs tested Edwardian colourways and patterns to create a modern space that ties perfectly into the existing theatre. Considerations include the flooring materials, ceiling design and lighting, contrasting between the everyday street and the grand theatre foyer and creating a theatrical journey from the outside world, through to the foyer and into the grand auditorium.

Back of house functions and security are carefully rethought, with an in-depth study of these ‘unseen’ hard-working spaces which are reinvigorated with elements of colour, texture, and light, all designed for durability and safety. The auditorium takes centre stage, but it is the sum of all the parts, from costume stores to bathroom facilities, that enables the whole theatre to function.

The Edwardian facilities currently provided by most of the theatres are lacking in number and feature an outdated design that causes congestion. We proposed the creation of a new toilet stack in an unused alley way in order to alleviate the current situation of people still queueing for the WCs ten minutes into the second act.

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