Empathise and engage

If there’s one thing we’ve learned makes better buildings, it’s empathy. Architecture never happens in isolation—and simply by being interested and engaged, we’ve found it’s possible to open up the conversations that connect a scheme to its clients and community.

Weconstraints

We believe that the more constraints there are, the better the architecture. If there aren’t any constraints, we create them. Challenging sites, existing buildings and complex briefs almost always present incredible opportunities for great design.

Passive future

To limit our environmental impact, we start with what is already there. By manipulating the form and fabric of a building—whether new or existing—we can work with the existing conditions of topography, light and orientation, and harness the natural energy sources offered by air, ground and water.

Social detail

If a site’s constraints guide the bigger design decisions, then it’s empathy that informs the smaller, social details. These details frame the human narratives that aren’t included in the brief, anticipating specific moments in the users’ lives.

Mud on our boots

Good architecture is as much about what happens on the building site as it is about what’s on the drawing board. By working alongside contractors as well as clients we can ring-fence the ideas and details that matter, championing quality and sustainability throughout construction.

Sion Manning Dance Studio
WorkStudioActivityNewsContact
Curl la Tourelle Head
Work
  • Sion Manning Dance Studio

  • North Kensington, London

Client
  • Sion Manning RC Girl's School

  • Westminster Diocese

The dance studio and fitness suite extension to the existing Sion Manning RC Girls’ School in North Kensington is fully integrated into the centre of the visual arts college. The National-Lottery funded extension is to be used not only by the pupils but also by the local community.

The double-height dance studio volume is expressed as a lightweight clerestory, floating above a solid, dark brown masonry base that includes entrance, a fitness suite and changing.

Insulated glazing above the dance studio gives different light and solar transmission on each side of the high room. Natural ventilation is through wind-catchers mounted on the roof. Culminating in a large window overlooking the playing fields, the long exercise room is shaped around spaces for exercise machine and workout. Natural light reaches the length of the room through a slender skylight.

The dance studio itself is a naturally lit and ventilated double height space. Overheating in summer is counteracted through the use of specialist triple glazing that reduces heat gain and cuts out glare. The dance studio has two roof mounted passive ventilation shafts that provide natural ventilation to the room and mean that there is no need for air conditioning.

Through its simplicity and truth to materials, the transformation has been unanimously admired by users and visitors and has elevated the appeal of the school.

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