Empathise and engage

If there’s one thing we’ve learned makes better buildings, it’s empathy. Architecture never happens in isolation—and simply by being interested and engaged, we’ve found it’s possible to open up the conversations that connect a scheme to its clients and community.

Weconstraints

We believe that the more constraints there are, the better the architecture. If there aren’t any constraints, we create them. Challenging sites, existing buildings and complex briefs almost always present incredible opportunities for great design.

Passive future

To limit our environmental impact, we start with what is already there. By manipulating the form and fabric of a building—whether new or existing—we can work with the existing conditions of topography, light and orientation, and harness the natural energy sources offered by air, ground and water.

Social detail

If a site’s constraints guide the bigger design decisions, then it’s empathy that informs the smaller, social details. These details frame the human narratives that aren’t included in the brief, anticipating specific moments in the users’ lives.

Mud on our boots

Good architecture is as much about what happens on the building site as it is about what’s on the drawing board. By working alongside contractors as well as clients we can ring-fence the ideas and details that matter, championing quality and sustainability throughout construction.

Barbican Library
WorkStudioActivityNewsContact
Curl la Tourelle Head
Work
  • Barbican Library

  • City of London, London

Client
  • Barbican Arts Centre

Our proposal for a new world-class library in the Grade II Listed Barbican Estate introduces natural light and flexible workspaces to enhance its stunning centrepiece: two triple-height bookcases that face each other across the central hall.

Two levels of concrete have been removed to create a dramatic central concourse that gives visitors impressive views of the libraries’ treasures and the building’s pick-hammered columns, while natural light draws the reader away from the central stacks towards the layers of reading rooms and collaborative work areas that sit at the edges of each floor.

We took this opportunity to improve upon the existing design: creating an exciting and welcoming new entrance; extending the library and introducing concealed North facing roof lights within existing flower beds; and opening up sight lines for the readers onto the trees of Golden Lane. It is comparable to significant public spaces within the Arts Centre complex, and inspired by the blurring of picturesque and formal in Chamberlain Powell & Bonn’s public spaces.

New Terracotta bookcases and existing double stacked pick-hammered columns will create a warm but impressive space. Each of the merged libraries will have its own designated shelf space. Triple height bookshelves occupy the heart of the building, freeing up the perimeter of the gallery floors to allow natural light to penetrate and create a soothing reading space.

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