Empathise and engage

If there’s one thing we’ve learned makes better buildings, it’s empathy. Architecture never happens in isolation—and simply by being interested and engaged, we’ve found it’s possible to open up the conversations that connect a scheme to its clients and community.

Weconstraints

We believe that the more constraints there are, the better the architecture. If there aren’t any constraints, we create them. Challenging sites, existing buildings and complex briefs almost always present incredible opportunities for great design.

Passive future

To limit our environmental impact, we start with what is already there. By manipulating the form and fabric of a building—whether new or existing—we can work with the existing conditions of topography, light and orientation, and harness the natural energy sources offered by air, ground and water.

Social detail

If a site’s constraints guide the bigger design decisions, then it’s empathy that informs the smaller, social details. These details frame the human narratives that aren’t included in the brief, anticipating specific moments in the users’ lives.

Mud on our boots

Good architecture is as much about what happens on the building site as it is about what’s on the drawing board. By working alongside contractors as well as clients we can ring-fence the ideas and details that matter, championing quality and sustainability throughout construction.

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Publication
  • Details vol. 1

  • Concrete, glass, metal, stone, wood

Specification
  • 130 × 170 mm

  • 112 pp, × 6 16 pp folded booklets

  • Individually printed 1 colour offset

Available at
  • > Antenne Books

  • > RIBA Books

  • > Waterstones

Details is the new publication by Wayne Head. The series investigates a variety of architectural details from around the globe, highlighting the importance of considering details in architecture and how the relationship of whole and parts is central to considered buildings. What makes them good or bad, what they say about a building, an architect, a place, or a movement in history. If a building can manifest how we think, how does a detail speak about the whole? Can you have good details and a bad building? Or a good building made out of bad details? These and other questions are explored in this new publication made out of a series of beautifully illustrated collectible pamphlets.

Arnaud Desjardin, founder of The Everyday Press, is the publisher behind this project. Arnaud has a background as a book seller of rare and out of print art books. His decision to start a publishing company was born out of a desire to publish the kind of art books that museums, galleries and other commercial publishers are not producing today. This is how Everyday Press began making collaborative artists books that sets them apart from the norm. Each publication follows a different design process, depending on the subject and the artists involved in the project.

Volume One of the series contains a selection of illustrated architectural details in concrete, glass, metal, stone and wood. The pamphlets have been made using risograph printing, a technique that lies halfway between screen printing and photocopying, and although not widely used after falling out of fashion decades ago, it gives the prints a handcrafted quality that sets them clearly apart from the mass produced publication.

The publication was presented by Wayne Head at RIBA Bookshop on the 3d of November 2015.



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